Amon Tobin Coined in June 1994 by Andy Pemberton in a feature for Mixmag, trip-hop was used to describe the recent stylistic shift of the Mo’ Wax label and that music’s popularity in dance circles, particularly in after hours sessions. The best trip-hop owed plenty both to the art of mixing and the cut-and-paste aesthetic of the 1980s, which is why a handful of releases on this list are mix CDs rather than albums. (Ninja Tune, 1995). This category only includes cookies that ensures basic functionalities and security features of the website. And yet, amid the simple breakbeats, classic loops and obvious vocal chops there’s a real beauty that captures the essence of a simpler time when the possibilities seemed endless and technology was providing new ways to think about music. Try these 5 chill. In Austria, Kruder & Dorfmeister added an extra layer of dub and turned trip-hop into downbeat in a haze of weed paranoia. Instead it was through their debut EP, G-Stoned, and absurdly popular mix CDs that they accrued fame. On Meiso he dug for samples and looped them with the same precision, sensitivity and attention to detail as the finest calligrapher or ukiyo-e artist. While others may have pilfered from dub at a surface level, Spooky was using the Jamaican techniques (mixing board trickery, tape delay etc) to produce alien soundscapes that were a million miles from the comparatively safe sounds of Up, Bustle and Out or Funki Porcini. Ki Oku This was trip-hop with a side helping of very English humour, from the moniker itself to the record’s awkwardly suggestive cover. The 18 tracks draw heavily on samples and breaks combined with pulsing basslines, heavily processed vocals and an overall gritty finish that makes it sound like the bastard child of Mo’ Wax and Bill Laswell’s Axiom Records. Solex If anyone tries to tell you Bristol was just Portishead, Tricky and Roni Size, play ’em this burner. After a forgettable false start peddling iffy acid jazz, Mo’ Wax made a stylistic shift in 1994, kickstarting a four-year period that continues to resonate two decades on. That’s not a negative though, the trio – a bassist, guitarist and drummer – had genuine chops, and managed to inject their musical training into a more contemporary mode, touching on trip-hop and drum & bass without ever sounding forced. (Interscope, 1996). His brilliant debut album One has barely dated, fitting as well alongside DJ Spooky or even Dälek as it does anything the Bristol scene had to offer. Leave feedback. Pulling from the same influences that defined the late 1980s rave explosion, Smokers Delight reconfigured the UK’s summer of love for the Discman generation while remaining just as suited to chill-out room comedowns or Ibiza sunset sessions. 50. Various Artists In order to give you the best experience, we use cookies and similar technologies for performance, analytics, personalization, advertising, and to help our site function. After a decade penning film and TV music in Italy, British producer James Braddell decided to head to London and set up his own studio, where he would use some of his commercial writing tricks to come up with Funki Porcini, one of the most recognizable names on Ninja Tune’s early roster. The album acted as a stop-gap between Tricky’s genre-defining Maxinquaye and his difficult (but almost equally brilliant) about-turn, Pre-Millenium Tension. Try it free. Depth Charge No other artist embodies Ninja Tune quite like DJ Food, the multifaceted DJ project set up in the early days of the label by its founders, Coldcut. One day, singer Skye…. There are a few other reasons too: it was released on Wordsound; DJ Vadim provided the drum samples; and, like the best trip-hop releases of the 1990s, it was a soundtrack for life, with the listener invited to let their mind fill in the blanks. (Mo’ Wax, 1996). Sure, Skint might still be best known for breaking Fatboy Slim, but don’t turn away just yet. The Herbalizer Mo’ Wax, often seen as responsible for the sound, originally kicked off riding the acid-jazz wave, a sound that soon exhausted itself into a creative cul-de-sac. London Funk Allstars - showing relevant, targeted ads on and off our web properties It’s a concoction that might now sound too close to the coffee table dreck that sat next to a copy of American Psycho and a rolled up tenner at the close of the millennium, but Red Snapper managed, somehow, to keep things edgy and unusual. With distance, Psyence Fiction is possibly more enjoyable than it was back in 1998, and it highlights the genre’s crossover potential with guest spots from Radiohead’s Thom Yorke, The Verve’s Richard Ashcroft (then riding high after the success of ‘Bitter Sweet Symphony’) and Badly Drawn Boy, but it’s hard not to see it as a slightly cynical marketing exercise. - to understand usage via Google Analytics As Vadim’s 1995 debut on his own Jazz Fudge imprint proclaimed, heads weren’t ready. 8. Tricky named his debut solo album after his mother, Maxine Quaye, and that should already indicate just how personal the record is. 9 Deadly Venoms I say this as someone who, for the past 18 odd years, has loved the music just as much as I’ve hated the term. Much of this debut also acts as an echo of what Wordsound and We™ were doing across the ocean at the same time. In the following years the trio became one of the emblematic acts of New York’s short-lived illbient scene, drunk off the possibilities afforded by the experiments that drove their creative ecosystem, where ambient, dub and hip-hop floated freely in a haze of smoke between cheap Brooklyn lofts and downtown squats. (Wordsound, 1996). Massive Attack are a trip-hop group which formed in Bristol, England in 1988. Most notably, it became a byword for the Bristol sound epitomised by bands like Massive Attack and Portishead. We also use third-party cookies that help us analyze and understand how you use this website. This was the blueprint for the Mo’ Wax 12″s to come: music based around the kind of nerd fandom that in 1994 was still a counter-culture. Meiso Best Downtempo / Chillout albums. As a result the music felt both impossible and irresistible. Elisabeth Esselink’s debut album was hard to categorize when it landed in 1998, there were elements pilfered from plenty of genres but not really enough of one or the other for categorization. The collision of avant-garde jazz and trip-hop was bound to happen. Elliott’s Third Eye Foundation debut fused breaks and booming sub bass with sounds more common to shoegaze: endless reverb, screaming and grizzled distortion. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. For those who care for electronic music history, Art Of chill up there with the best ambient ... Wallpaper music? Clear No matter the names or the execution, the DNA was the same. View reviews, ratings, news & more regarding your favorite band. The result is an accomplished midpoint between the edit-heavy trickery of Squarepusher and Aphex Twin and the moody soundscapes of Krush, Vibert and Shadow. DJ Vadim For the first five years, the collective – Coldcut, Strictly Kev and PC – released loops and other tools via the Jazz Brakes series, some of which is great, while some is just as forgettable as the more tepid early Mo’ Wax releases. As such, you’ll find artists from France, Northern Ireland, Japan, America, Denmark and Brazil represented as well as releases from Asphodel, Wordsound, Rephlex, Warp and a handful of majors. Flying Lotus has cited DJ Krush as an influence. Mo’ Wax boss James Lavelle’s pet project, UNKLE, remains a controversial part of the trip-hop canon. Try these 5 albums. Click on the button to redirect to the page where you can submit your song: Necessary cookies are absolutely essential for the website to function properly. He made hip-hop instrumentals that sounded like they were being beamed in from a parallel universe via 14.4kbps modem, and in doing so, avoided being both pigeonholed and, well, popular. Favourite electronic albums to chill to - Rate Your Music 100 Chillout Classics - The Worlds best chill – Perfect for Relaxing, Studying, Revision, Chilling & Lounging. (Vinyl Solution, 1994). Psychonauts were Mo’ Wax’s secret weapon, so much so that James Lavelle had them provide mixes under his name – ghost mixed, if you will. Attica Blues is one of Mo’ Wax’s better and more slept-on full lengths, a deft exercise in sampling, programming and arranging, back when doing so took more than a few clicks of a mouse. In a 1998 feature for The New York Times, Guy Garcia posited Blue Lines as the blueprint for trip-hop, an argument that holds some weight if you consider that parts of the album were as old as the days of The Wild Bunch, from which the trio emerged. The Orb Adventures Beyond The Ultraworld. (Sublime, 1998). (This is a musician who had gone head to head with Peter Brötzmann and John Zorn – we weren’t exactly expecting him to toot out a cover of Bob Marley’s ‘Sun Is Shining’.) John Hughes’s Chicago-based Hefty imprint was crucial in cementing the relationship between Chicago’s burgeoning post-rock scene (led by Tortoise) and the seemingly more experimental (and more European) IDM and trip-hop genres. These cookies do not store any personal information. Trip-hop was a logical evolution in a decade during which everyone came down from a partying high to face the reality that hip-hop and dance music were being co-opted by the mainstream; dreams of a new sonic utopia crushed by the relentless onslaught of capitalism. The album proved a critical and commercial flop, though it remains an interesting offering, drawing links between trip-hop, dub, industrial and ambient with a touch of psychedelia. (Tummy Touch, 1997). Headz 2 She started…, The Cinematic Orchestra is a UK-based jazz and electronic outfit, created in 1999 by composer/programmer/multi-instrumentalist Jason Swinscoe,…, Groove Armada is an electronic music group from Cambridge, United Kingdom, composed of two members, Andy Cato (real name Andrew Cocup) and Tom…, Hooverphonic is a Belgian rock/pop group formed in 1995.